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Arts Should Be Cut From Schools Why Music Education Should Be Cut From Schools

Journalism students at Howard University's school of communications were deeply engaged in this year's presidential campaign as Barack Obama and Paw Romney battled for the White House. The students wrote widely near the candidates and the issues. Some traveled to Ohio, a central battleground state, and wrote most classmates who canvassed voters there as volunteers for the Obama campaign.

Others wrote about college students struggling to pay rising tuitions after their parents had lost jobs and homes to foreclosures. One pupil wrote virtually blackness Republicans who supported Romney and their status equally double minorities – minorities within the Republican Party and among blackness voters who largely supported Obama. Throughout the year, students reported on the economical and social challenges that working people and poor communities were facing, issues that were being neglected past candidates singularly focused on the needs of the middle form.

And on Election Day, the students covered everything from trouble-plagued polling stations to election night parties and spontaneous street festivities in forepart of the White Business firm. The Root DC is publishing some of the students' work, starting with the story beneath past Tyleah Hawkins, a sophomore, about the impact of funding cuts to public school arts programs in poor communities.

Schools across the country have slashed their arts programs in the wake of major funding cuts by state governments struggling to rest their budgets during the economic downturn.


(Oscar Perez/Associated Printing)

According to the Center on Budget and Policy Priorities, more than than 95 percent of school-anile children are attending schools that accept cut funding since the recession. Schools in wealthier neighborhoods that faced budget cuts were able to brand up for their losses through private donations, while schools in impoverished neighborhoods accept not.

As a effect, schools in areas serving children from depression-income families accept reduced or completely cut their arts and music programs. These programs tend to be the first casualties of budget cuts in hard-pressed school districts already struggling to run across other demands of the academic curriculum, and they are rarely restored. Some schoolhouse districts don't take much meat left to cut from arts programs that had already been reduced to bare bones later repeated funding shortfalls over many years.

"The cuts that accept been occurring for the past couple of decades ... however, with this recession, many arts advocates such as myself exercise not have a clue when some programs will be brought back," said Narric Rome, senior managing director of Federal Diplomacy and Arts Education at Americans for the Arts, a national organisation that promotes the arts. "The entire system is very unstable; teachers are laid off one schoolhouse year and brought back the next, or almost times non brought back at all. If we are lucky enough to bring these programs back, they won't exist for a couple of years. Which means some students who are in school during these difficult economical times will completely miss out on the benefits of arts education."

Although arts and music programs tend to be seen every bit less important than reading, math or science, enquiry has shown that arts education is academically beneficial.

"Low-income students who had arts-rich experiences in high schools were more than three times as likely to earn a B.A. equally low-income students without those experiences. And the new study from the National Endowment reports that low-income loftier school students who earned few or no arts credits were five times more likely not to graduate from high school than low-income students who earned many arts credits," Education Secretary Arne Duncan said in a report titled "Arts Pedagogy in Public Unproblematic and Secondary Schools: 2009-x."

The arts have also proven to be a form of inspiration and expression for at-risk students, particularly those in inner-metropolis schools, and have been shown to amend their outlook on educational activity.

According to a report titled "The Function of the Fine and Performing Arts in High School Dropout Prevention," by the Center for Music Research at Florida State Academy, "Students at gamble of not successfully completing their loftier schoolhouse educations cite their participation in the arts equally reasons for staying in school. Factors related to the arts that positively afflicted the motivation of these students included a supportive environment that promotes constructive acceptance of criticism and ane where information technology is prophylactic to take risks."

Organizations such as ArtsEdSearch, an online clearinghouse that collects and summarizes high quality arts education research studies and analyzes their implications for educational policy and practice, have washed individual research about the issue. AEP Executive Managing director Sandra Ruppert said that the findings in the report point to the power of the arts to lead the way in helping every child realize success in schools

"This is especially true for underserved students who benefit well-nigh significantly from arts learning but are the least likely to receive a high-quality arts education," Ruppert said.

Enquiry has also shown that arts education helps improve standardized test scores. A study washed by The Higher Board, a nonprofit association that works to make sure all students in the American educational system are college-prepare, constitute that students who take 4 years of arts and music classes while in loftier school score 91 points improve on their SAT exams than students who took only a one-half yr or less (scores averaged 1070 among students in arts educations compared to 979 for students without arts pedagogy.)

"Arts education gives children a place where they can express themselves and channel negative emotion into something positive. Students are well-rounded and required to exist academically healthy in all subjects to perform. To be honest, what is learned in music education is truly immeasurable," said Barbara Benglian, the 2006 Pennsylvania state teacher of the year. Benglian has been teaching at Upper Darby High school in Drexel Loma, Pa., for nearly 40 years. Her school was one of the many schools at take chances of losing their arts programs due to low test scores. All the same, the arts programs at the school were saved after parents, students and alumni organized petitions and protests rallies. Even Upper Darby alumnus and actress Tina Fey jumped on board to assistance save the arts program. Other schools around the land are not as fortunate.

Several Howard University students who participated in music and arts didactics in grade school and high school speak fondly of the positive consequence it has had on their lives.

"In elementary school, music sparked my interest and led me to playing the trumpet. Information technology gave me the opportunity to travel to places I otherwise would not take gone, and most importantly, helped me become more culturally accepting by broadening my musical horizons," said Joe Williams, a junior majoring in psychology. "Without music, I would not be equally open every bit I am to learning about new people."

Nate Shellton, a sophomore, chose to dedicate his life to the arts past majoring in interim.

"I think it's absolutely outrageous that fine arts are the showtime to be cutting in public schools," he said. "It says a lot about what is important to education in America. Because math and science is what is being tested, tests that determine a school's ranking is what is most important to the schoolhouse, but the institutions' ranking is not necessarily what'south in the best interest of the students every bit a whole person."

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Source: https://www.washingtonpost.com/blogs/therootdc/post/will-less-art-and-music-in-the-classroom-really-help-students-soar-academically/2012/12/28/e18a2da0-4e02-11e2-839d-d54cc6e49b63_blog.html